field notes

Every field note so far

One reel at a time: the thing at the centre of the story, drawn in ink, with the entry behind it.

These are previews. The written notes, narration and sources are here now; the reels themselves are not out yet.

One Name, drawn in ink
FIELD NOTES No. 01

One Name

Anandpur Sahib, Punjab, India · 1699

ledger / Singh / one shared name

Why do so many Sikh men share the name Singh? The reel follows the shared name back to Vaisakhi 1699 at Anandpur, the five men initiated into the Khalsa, and the Guru who asked them to initiate him in turn.

on the map →
A still from the One Name reel, which is not out yetPREVIEW 41 seconds
Komagata Maru, drawn in ink
FIELD NOTES No. 03

Komagata Maru

Vancouver, Canada · 1914

ship / harbour / the rule

The reel tells the 1914 voyage of the Komagata Maru, hired by Gurdit Singh to test Canada's rule that people from India must arrive by one unbroken voyage. It follows the ship to Vancouver, the two months at anchor and the forced return, and ends with the 2016 apology in the House of Commons.

on the map →
A still from the Komagata Maru reel, which is not out yetPREVIEW 67 seconds
Bhagat Puran Singh, drawn in ink
FIELD NOTES No. 04

Bhagat Puran Singh

1947

register / beloved / footpaths

The reel follows Puran Singh and the disabled boy he named Piara, left at a gurdwara door in Lahore, whom he carried on his back for fourteen years. It ends at Pingalwara in Amritsar, the home that grew from that work.

A still from the Bhagat Puran Singh reel, which is not out yetPREVIEW 61 seconds
Woolgoolga, drawn in ink
FIELD NOTES No. 05

Woolgoolga

New South Wales, Australia · 1968

first hall / bananas / growers

The reel is about the plain brick hall in Woolgoolga, Australia's first gurdwara, built by Sikh banana growers and opened in 1968 without a dome. It tells of the split in the community, the brick through the window the night before the opening, and the ten domes of the new gurdwara beside it.

on the map →
A still from the Woolgoolga reel, which is not out yetPREVIEW 64 seconds
Bandi Chhor Divas, drawn in ink
FIELD NOTES No. 06

Bandi Chhor Divas

fifty-two / robe / lamps

The reel is stitched in the manner of phulkari, the embroidery of Punjab's women, and tells the Sikh memory behind Bandi Chhor Divas. As Sikhs remember it, Guru Hargobind Sahib Ji left Gwalior Fort with fifty-two kings holding a robe made with fifty-two strings, and came home to Amritsar at Diwali.

A still from the Bandi Chhor Divas reel, which is not out yetPREVIEW 60 seconds
Bhagat Singh Thind, drawn in ink
FIELD NOTES No. 07

Bhagat Singh Thind

1923

certificate / citizen / no

The reel follows Bhagat Singh Thind through three citizenships: granted in 1918, revoked four days later, and held from 1936. At its centre is the Supreme Court's one-word answer in 1923, quoted without endorsing the race or caste arguments made on either side.

A still from the Bhagat Singh Thind reel, which is not out yetPREVIEW 66 seconds
Bhai Ghanaiya, drawn in ink
FIELD NOTES No. 08

Bhai Ghanaiya

water / siege / everyone

The reel tells, as Sikh tradition remembers it, how Bhai Ghanaiya carried water to the wounded of both sides during the siege of Anandpur. When he was reported to the Guru, he said he had seen only the Guru's face, in everyone.

A still from the Bhai Ghanaiya reel, which is not out yetPREVIEW 58 seconds
Kartarpur, drawn in ink
FIELD NOTES No. 09

Kartarpur

Punjab, Pakistan · 2019

binoculars / four kilometres / darshan

The reel asks why Sikhs look at the shrine at Kartarpur through binoculars. It follows the viewing platform at the border, the corridor that opened in 2019 and closed in May 2025, and says plainly that it was still closed when the reel was made in October 2026.

on the map →
A still from the Kartarpur reel, which is not out yetPREVIEW 63 seconds
Bhai Mardana, drawn in ink
FIELD NOTES No. 10

Bhai Mardana

rabab / road / kirtan

The reel follows Bhai Mardana, the rabab player who travelled with Guru Nanak Dev Ji, to the Muslim rababi families who sang Sikh hymns at the Golden Temple until 1947. It closes on a word that stayed: Bhai, brother.

A still from the Bhai Mardana reel, which is not out yetPREVIEW 62 seconds
The Golden Temple, drawn in ink
FIELD NOTES No. 11

The Golden Temple

Amritsar, Punjab, India · 1604

gold / steps down / four doors

The reel asks whether the Golden Temple was always golden. It follows the outer gold laid again in 1995 to 1999, the walls rebuilt after 1762, and the first Harmandir Sahib of 1604, set lower than the ground around it so that everyone steps down to enter.

on the map →
A still from the The Golden Temple reel, which is not out yetPREVIEW 63 seconds
The Koh-i-Noor, drawn in ink
FIELD NOTES No. 12

The Koh-i-Noor

1849

clause three / a boy / Aden

The reel follows Duleep Singh, proclaimed Maharaja of the Punjab at five, to the treaty of 1849 whose third clause named the Koh-i-Noor, then to the diamond's journey to London and his own return to the Sikh faith at Aden.

A still from the The Koh-i-Noor reel, which is not out yetPREVIEW 56 seconds

No. 13 · with the next reel